Michael Dafferner
Ének

Greg Kubacki
Gitár

Jon Modell
Basszusgitár

Elliot Hoffman
Dob

The inception of Car Bomb started as early as the year 2000, when two bands, Neck and Spooge, shared the same rehearsal space underneath a butcher shop in Rockville Center, New York. Jon recalls, “We called it the Dungeon. It was a hot and muggy cement basement with no windows. Basically, a hole in the earth created for slaughtering animals...but ‘metal’ bands got to jam down there – go figure!!” The two bands found themselves frequenting the other’s rehearsals and developed a mutual respect for their music. Greg and Mike wanted Neck to break out of the conventional and over saturated hardcore scene by being different. Greg recollects, “We all really dug what Faith No More did, so we tried to emulate that, except heavier and more progressive.” With three releases on various labels and five years of shows up and down the east coast, Neck had established themselves as one of Long Island’s most unique and brutal acts. On the other side of the Dungeon, bassist Jon and drummer Elliot were a part of Spooge, a more technical and stylistic band. Influences of Zappa and early Mr. Bungle can be heard throughout their complex and at most times hilarious epics.

Further influences: Meshuggah, Dillinger Escape Plan, Autechre, Coalesce, The Locust, Naked City, Metallica, Pantera, Slayer, Aphex Twin, Squarepusher, Vinnie Colaiuta, Allan Holdsworth

Whether chopping a riff into pieces, reversing it, cutting it short, or messing with the tempo, Car Bomb’s unique style of progressive metal is the product of dissecting ideas and beating them to death. The result is equivalent to a jet engine propelling gravel into your skull. Car Bomb combines the polyrhythmic and mathematical madness of Meshuggah and Dillinger Escape Plan with the rage and energetic fury of Coalesce and Converge. Though their songs are musically challenging, Car Bomb refuses to dilute their ruthless execution. Their intent is to assault the listener in any and every way possible - compositionally, sonically, and lyrically.